From the booklet of the Christmas Oratorio CD. Anselm Hartinger, translation by Alice Noger-Gradon. Combattimento Consort Amsterdam & Capella Amsterdam, Jan Willem de Vriend is supported by gifts from the J. Reilly Lewis Legacy Fund and the National Endowment for the Humanities. Bach, JS : Weihnachtsoratorium [Christmas Oratorio] BWV248 : Part 6 "Nun seid ihr wohl gerochen" [Choir] Michel Corboz: 03:12 5,49 zł © 2017-2018 WGBH Educational Foundation, /?php bloginfo( 'name' ); ?> The Bernstein Experience. Although it is a single work in six related parts, Bach’s Christmas Oratorio could be regarded as a compilation of six separate cantatas. Pobierz nuty za darmo. ... Part 6 is immediately below. Bach Christmas Oratorio, BWV 248. 1. Find out! The six cantatas that make up the cycle that is the Christmas Oratorio are no exception to this pattern. Buy 2 SACDs or download online. First of all, by its structural reliance on a continuous Six - For The Feast Of Epiphany - No.61 Rezitativ: "So geht! 26 December 2020 Shepherds and Angels Cantata II Und es waren Hirten in derselben Gegend. 5 / 6 Part five of Bach's Christmas Oratorio, performed by the Monteverdi Choir. Then comes a second and much longer recitative (sometimes sung by a different tenor soloist): Go then! and how encounter You? It is my spirit and inclination,Heart, soul and courage; take it allAnd may it be pleasing to you! The oratorio has 6 parts. Meanwhile, the opening chorus affirms the fact that God’s protection will guard believers from “the sharp claws of the enemy.”, The Monteverdi Choir and the English Baroque Soloists,John Eliot Gardiner, director. Nikolaus Harnoncourt, Concentus Musicus Vienna and Arnold Schoenberg Choir, Riccardo Chailly, Leipzig Gewandhaus Orchestra and Dresden Chamber Choir, Jos van Veldhoven, Netherlands Bach Society, Jauchzet, frohlocket, auf, preiset die Tage, Emmanuel Music: Christmas Oratorio Program Notes, Boston Symphony Orchestra: Christmas Oratorio program notes, Part I: Cantata for the First Day of Christmas, “, Part II: Cantata for the Second Day of Christmas, “, Part III: Cantata for the Third Day of Christmas, “, Part V: Cantata for the First Sunday in the New Year, “, Part VI: Cantata for the Feast of the Epiphany, “, Wolff’s Pulitzer Prize-nominated biography of Bach: “. Consider this text from part one (written in reverence to a new religious or secular prince) instead referencing the work itself: How shall I embrace you? Program Notes – Christmas Oratorio The Christmas of 1734-35 must have been a very busy one for the musicians of Leipzig. Listen to J.S. It is an unconventional oratorio for rather than following the pattern of Italian oratorios, as he did for Christmas Oratorio, BWV 248. J. S. Bach* - Akademie Kammerchor*, Vienna Symphony Orchestra* Conductor Ferdinand Grossmann - Christmas Oratorio (Oratorio De Noel) ‎ (3xLP, Album) VOX (6) PL 7713 Bach's "Christmas Oratorio" is nowadays more likely to be heard and appreciated on record than in live performances. The performance excerpted in the final chorale above conducted by Philippe Herreweghe is also very good, as are those conducted by Philip Pickett, John Gardiner, Ton Koopman, and Masaaki Suzuki (my favorite Bach conductor). J. S. Bach’s Christmas Oratorio, Part 6. The Evangelist offers a brief resumption of the narrative, telling us that the Magi were warned in a dream not to return to Herod’s court. Each part will be presented on its intended day of liturgical observance, over the twelve days of Christmas to the Feast of the Epiphany (January 6). 27 December 2020 At the Manger Cantata III Herrscher des Himmels, erhöre das Lallen. In that year they first performed Johann Sebastian Bach’s Weinachts-Oratorium (Christmas Oratorio). Challenge Classics: CC76607. 4 CHRISTMAS ORATORIO, BWV 248 (EXCERPTS) (1734) Johann Sebastian Bach Born March 31, 1685 in Eisenach, Germany Died July 28, 1750 in Leipzig UMS premiere: J.S. Most of the many settings of this text are in Latin, but one of the greatest in English is by William Byrd. My favorite, as I mentioned earlier, is the recent one conducted by John Butt. Watch this live recording of four young cellists from "From the Top" performing a new arrangement for strings. Johann Sebastian Bach. The Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season.It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The fourth part describes the naming and circumcision of Jesus (for New Year’s Day). “Herr, wenn die stolzen Feinde schnauben” can be translated “Lord, when our arrogant enemies snort with rage.”. He borrowed the music for the opening chorus from another cantata, but forgot and copied the old words into the score, which he then had to cross out. Combattimento Consort Amsterdam & Capella Amsterdam, Jan Willem de Vriend The series features three renowned cantatas, Wachet auf, ruft uns die Stimme, BWV 140, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, and Nun komm der Heiden Heiland, BWV 61, followed by all six parts of Bach’s beloved Christmas Oratorio, BWV 248. While you may find one way of listening more suitable than the other, try both! Anselm Hartinger, translation by Alice Noger-Gradon. Genug, mein Schatz geht nicht von hier", a song by Fritz Wunderlich on TIDAL Dźwięk, Orkiestra - Christmas Oratorio Part 6. The basis for this publication are Bach’s autograph score and the original parts. Each part will be presented on its intended day of liturgical observance, over the twelve days of Christmas to the Feast of the Epiphany (January 6). William Byrd’s setting of the Te Deum adorns this familiar text with a kaleidoscopic sequence of sound. Trumpets and timpani return for the conclusive, concluding chorale, sung to the “Passion Chorale” melody that we know best as “O sacred Head, now wounded,” a chorale melody used six times in the St. Matthew Passion. Listen to Christmas Oratorio, BWV 248 / Part Six - For the Feast of Epiphany - J.S. J.S. The series features three renowned cantatas, Wachet auf, ruft uns die Stimme, BWV 140, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, and Nun komm der Heiden Heiland, BWV 61, followed by all six parts of Bach’s beloved Christmas Oratorio, BWV 248. Stream songs including "Christmas Oratorio: Part I: Jauchzet, Frohlocket", "Christmas Oratorio: Part I: Bereite Dich, Zion" and more. Cantata BWV 248/6 Herr, wenn die stolzen Feinde schnauben (Weihnachts-Oratorium VI) English Translation in Interlinear Format Cantate BWV 248/6 - Lord, when our arrogant enemies snort with rage Christmas Oratorio VI: Event: Cantata for the Feast of Epiphany Readings: Epistle: Isaah 60: 1-6; Gospel: Matthew 2: 1-12 Interview with Thomas Forrest Kelly on the history of musical notation, “The Christian Singer from the Gospels to the Gothic Cathedrals” — a series of six lectures by Christopher Page, “Music, Imagination, and Experience in the Medieval World” — a series of six lectures by Christopher Page, Interview with Christopher Page on The Christian West and Its Singers: The First Thousand Years. Each cantata was first performed separately for the six successive celebrations during Christmas of 1734–5. Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No.6 Evangelist: "Und sie gebar ihren ersten Sohn" Martin Lattke , Gewandhausorchester Leipzig, … History. OUR MISSION Listen to Christmas Oratorio - Part 6-12, a song by Johann Sebastian Bach on TIDAL. With the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The oratorio was written in 1734. 1 Chorus: "Jauchzet, frohlocket", Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas : No. J. S. Bach* - Akademie Kammerchor*, Vienna Symphony Orchestra* Conductor Ferdinand Grossmann - Christmas Oratorio (Oratorio De Noel) ‎ (3xLP, Album) VOX (6) PL 7713 The oratorio was written in 1734. Höre Bach: Christmas Oratorio - Weihnachtsoratorium von English Baroque Soloists auf Deezer. Articles: A Bottomless Bucket of Bach - Christmas Oratorio [D. Satz] | BWV 248/19 “Schlafe, mein Liebster” - A Background Study with Focus on the Colla Parte Flauto Traverso Part [T. Braatz] BWV 248/1 Text: German-1 | NBA History. Listening to Johann Sebastian Bach’s “Christmas Oratorio” is a holiday experience like no other. Program Notes – Christmas Oratorio The Christmas of 1734-35 must have been a very busy one for the musicians of Leipzig. J S Bach The Christmas Oratorio - Part 6. ", a song by Gundula Janowitz on TIDAL Listen to Bach: Christmas Oratorio by Fritz Lehmann on Deezer. Before Bach wrote the Christmas Oratorio, he already wrote some cantatas for the Christmas season. Bach's Christmas masterpiece? J.S. A service of WGBH Bach: Christmas Oratorio WEIHNACHTS-ORATORIUM, BWV 248. Listen to Christmas Oratorio, BWV 248 / Part Six - For the Feast of Epiphany - J.S. Listen to Christmas Oratorio - Part 6-12, a song by Johann Sebastian Bach on TIDAL. The Evangelist returns with a recitative which recounts the arrival of the gift-laden Magi in Bethlehem, and their worship of the One whom Herod wants to kill. “Deck thyself, my soul, with gladness” originally featured six stanzas that we don’t now sing . Bach: Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany - No. Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas : No. Bach thus concludes his Christmas Oratorio with an intimation of the suffering that purchased our safety from our ultimate enemies. Along with the Mass in b and the Passions, the Christmas Oratorio deserves to be one of Bach's best works. This is followed by a brisk soprano recitative which exposes Herod’s hidden claws: You cheat, you only seek the Lord to bring him down.You use all your false cunningTo hunt after the savior;But he whose power no man can measureStill remains in safe hands.Your heart, your false heart is already —With all your treachery, by the Son of the Highest,Whom you seek to cast down — very well-known. Höre Bach: Christmas Oratorio - Weihnachtsoratorium von English Baroque Soloists auf Deezer. exploring the rich legacy of sacred singing. J.S. Bach Christmas Oratorio, BWV 248. The snorting, arrogant enemies introduced in that chorus are now addressed directly: Now, you insolent enemies, may try to scare me;What sort of fear can you arouse in me?My treasure, my refuge, is here with me!Though you may appear ever so fierceAnd threaten to cast me down once and for all,Yet see! Savona Pro Theme by Optima Themes - 2021 ©, First Sunday after Epiphany (January 12, 2020), “I will fear no evil, for thou art with me”. The performers are the New London Consort, conducted by Philip Pickett, with soloists Catherine Bott (soprano), Michael Chance (countertenor), Paul Agnew (tenor, Evangelist), Andrew King (tenor), and Michael George (bass). And the arrogant enemies that Bach has in mind aren’t mere flesh and blood; the final chorale of Part 6 (and hence the final movement of the entire Oratorio) identifies four eschatological enemies: death, the Devil, sin, and Hell. Part 5. 62 Aria: "Nun mögt ihr stolzen Feinde schrecken", a song by Hans Peter Blochwitz on TIDAL The YouTube performances available include this reliable live performance by the RIAS Chamber Choir and the Freiburg Baroque Orchestra conducted by Hans-Christoph Rademann. Now that our pilgrimage through the Oratorio is complete, if you would like to listen to the entire work in a single sitting, there are many performances to choose from. Two hundred years since its humble beginnings in a snowbound church in Austria, this beloved Christmas Eve sensation is sung in over 300 languages around the world. Plainsong workshop slides are here. 58. The recordings of hymns made in our “Choir in Quarantine” series are all available on this page. Dźwięk, Orkiestra - Christmas Oratorio Part 6. Listen to J.S. It was written for the Christmas season of that year. Find album reviews, stream songs, credits and award information for Bach: Christmas Oratorio - Jan Willem de Vriend, Cappella Amsterdam, Combattimento Consort Amsterdam on AllMusic - 2007 The soloists are Anna Lucia Richter, soprano; Stefanie Irányi, alto; Maximilian Schmitt, tenor; and Roderick Williams, bass. With music streaming on Deezer you can discover more than 56 million tracks, create your own playlists, … Chanted examples of the Psalms for the week of the Seventeenth Sunday after Trinity are here. Bach, J S: Christmas Oratorio, BWV248. It was first performed in the Thomaskirche and Nikolaikirche, Leipzig.. Music. The basis for this publication are Bach’s autograph score and the original parts. It was first performed in the Thomaskirche and Nikolaikirche, Leipzig.. Music. Cantata BWV 248/6 Herr, wenn die stolzen Feinde schnauben (Weihnachts-Oratorium VI) English Translation in Interlinear Format Cantate BWV 248/6 - Lord, when our arrogant enemies snort with rage Christmas Oratorio VI: Event: Cantata for the Feast of Epiphany Readings: Epistle: Isaah 60: 1-6; Gospel: Matthew 2: 1-12 Although it is a single work in six related parts, Bach’s Christmas Oratorio could be regarded as a compilation of six separate cantatas. Log in Start Free Trial Start Free Trial. Christmas Oratorio - Part I-5 Johann Sebastian Bach. Johann Sebastian Bach put together his Christmas Oratorio, BWV 248, sometime in the fall of 1734 for the coming Christmas season. Bach’s Christmas Oratorio, nor any of the cantatas which make up the work, has ever been performed as part of a full concert program at The Christmas Oratorio, written for the turn-of-year feast days in 1734/35, was composed during a period in which Bach produced comparatively few new works for his Leipzig churches. And, if you have the opportunity: listen to a live performance of the full work. Buy 2 SACDs or download online. Bach Interactions. “Christmas Oratorio,” BWV 248, German text and English translation by Pamela Dellal for Emmanuel Music. Christmas Oratorio, Part 6. J.S. Home Featured Magazine About. Bach Christmas Oratorio BWV 248. Absolutely, says Christoph Wolff, Bach scholar and Harvard professor emeritus: “It almost seems as if Bach had meant to override given conditions [the separation of six parts over twelve days] and anticipate a non-liturgical concert performance.”. Bach, J S: Christmas Oratorio, BWV248. The first line sung in the opening chorus of Part 6 reminds us that the character of Christmas is far from that of a Hallmark greeting card. Articles: A Bottomless Bucket of Bach - Christmas Oratorio [D. Satz] | BWV 248/19 “Schlafe, mein Liebster” - A Background Study with Focus on the Colla Parte Flauto Traverso Part [T. Braatz] BWV 248/1 Text: German-1 | NBA Johann Sebastian Bach. Before the final chorale, a brief recitative featuring all four soloists poses a rhetorical question: What will the horrors of hell intend now,what with the World and Sin intend to do to us,since we rest in Jesus’ hands! How well do you know J.S. The fifth and sixth parts describe the Three Kings, or Magi (for the first Sunday after New Year and for Epiphany). Program Notes J.S. Charles Wesley’s triumphant “Hail the day that sees him rise” is one of many triumphant hymns to celebrate the Ascension, This mid-19th-century hymn was written to defend the Creed’s claims about the Church. . It comprises six cantatas, suitable for performing separately during the so-called twelve days of Christmas. 6. From the booklet of the Christmas Oratorio CD. Bach, JS : Weihnachtsoratorium [Christmas Oratorio] BWV248 : Part 6 "Was will der Hölle Schrecken nun" [Soprano, Contralto, Tenor, Bass] Michel Corboz: 00:43 5,49 zł: play: 59. In that year they first performed Johann Sebastian Bach’s Weinachts-Oratorium (Christmas Oratorio). 58. A recitative featuring two voices follows this chorus: a tenor sings the part of the Evangelist/narrator, and a bass sings Herod’s deceitful request to the Magi that they go to Bethlehem and report back to him once they’ve found this newborn King. Articles: A Bottomless Bucket of Bach - Christmas Oratorio [D. Satz] | BWV 248/19 “Schlafe, mein Liebster” - A Background Study with Focus on the Colla Parte Flauto Traverso Part [T. Braatz] BWV 248/1 Text: German-1 | NBA J. S. Bach’s. With the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. In its first performances since lockdown, the world-renowned Gabrieli Consort & Players under founder and director Paul McCreesh, present some of today’s finest exponents of Bach in the composer’s beloved Christmas Oratorio BWV 248.Bach’s six Christmas cantatas are often performed but rarely as he originally envisaged, one cantata on each of the six most important feast days of Christmas. Bach: Christmas Oratorio, BWV 248 / Pt. It is enough that my Treasure does not depart from here,He stays here by me,I will not let him leave me,His arm out of love,With desire full of gentlenessAnd with great tenderness, will embrace me;He will remain my bridegroom,I will entrust breast and heart to him.I know for certain that he loves me.My heart also loves him ardentlyAnd will always honor him.What sort of enemy could nowDo me harm when I am so fortunate!You, Jesus, are and remain my friend;And if I beg you anxiously“Lord, help!” then let me see salvation! “Herr, wenn die stolzen Feinde schnauben” can be translated “Lord, when our arrogant enemies snort with rage.” In his book, Bach’s Oratorios, which includes a complete English translation of the texts to all of Bach’s oratorios and Passions, Michael Marissen comments in a footnote about the adjective stolzen: While Stolz primarily means “proud” in a more dignified sense, it is also an archaic synonym for übermutig, in the sense of “insolent” or “cocky.” In this way the word Stolz has the same double sense as the word zed in Hebrew, which means both “presumptuous” and “insolent” (thus, e.g., Psalm 86:14 reads in the KJV, “O God, the proud are risen up against me,” but in the NRSV, “O God, the insolent rise up against me.”. 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